Monday, September 21, 2015

Birthday gift for sure!

Yesterday was my birthday, and I could think of no  better way than spending it with ;friends and holding a workshop.  Some beautiful gifts were received as well as a birthday cake and a pumpkin bar cake..  Everyone had a very creative time as my photos will show.  I just noticed that for some reason, all of the photos were put on in upside down order.  I don't think it will lessen the enjoyment of the work though.

One of Amy Greif's machine-stitched Shiboris opened up.

Another one of Amy Greif's machine-stitched Shibori opened up.
Amy Greif machined stitched on accordion pleated cotton then dyed in indigo.
Amy Greif's clay resist stencil work.

A melange of clay resit techniques by Linda Johnston
A recycle embroidered card tablecloth Shibori dyed by Linda Johnston
Beautiful prints on paper and post dipped in indigo
Detail of the silk scarf by Linda Johnston pattern left by ceramic tile during cooking.

Candle wax dripped on silk then dyed in indigo by Hope Martin
A lovely silk eco print and indigo scarf by Linda johnston

3 of Kay Stanno's prints on paper
Another group of Maggie Clark's lovely prints on paper
Paper prints by Hope martin

Left, a clay resist pattern by Marilyn Hines  Right, a Cassava Paste resist by Amy Greif


Maggie Clark's lovely prints on paper
Close up detail of pine branches brush with clay resit and printed on paper

Kate Weatherly's first ever indigo clay resist


Wednesday, September 2, 2015

I couldn't resist trying this!

I have purchased and loved all three of the Natural Dye Workshops from Michel Garcia and Galli Studios.  I learned so much and saved sooo much time in experimenting.  They are worth every penny, and I highly recommend them.  Today I want to post the results of my first attempt at using Michel Garcia's Clay Resist 1-2-3 Recipe that is found on the first workshop DVD "Natural Dye Workshop with Michel Garcia, Colors of Provence, using sustainable methods"

The recipe is a very simple one, for every 100ml of water you add 10gms of epsom salt, 20 gms of gum arabic and 30 grams of clay powder (the kind of clay used to clean your hair.  I used Bentonnite).  I started with warm water so the epsom salt would dissolve quickly, then the gum arabic and then the clay powder.  You can do this in a mortar or use laboratory beaker with magnetic stirrer.  The clay resist should be stirred until smooth like heavy cream with no lumps.

You fabric should already be washed and dried and with as few wrinkles as possible.  Place the fabric flat on a non-absorbent surface.  Using a bristle brush or foam brush, dip into the clay resist and paint your base drawing ( this will be the lightest color on the piece in the end.  Allow to dry completely, then dip into your indigo vat for 1 minute.  Rinse to oxidize the indigo, allow to dry and then repeat the process, covering the areas you wish to remain light  with clay resist, covering some of the blue you wish to keep as a light shade.

Remember, you are working backward.  When you repaint the clay resist over the previous work and dye, you are keeping some parts of the original design and some parts of the subsequent addition from getting darker as you progress.  The next photo will show the piece aft the second resist layer and dip in indigo.

The next photo will show you how the last clay resist layer was painted over the previous work to protect everything I wanted to remain the same, only the background and any unprotected areas would change to darker shades.

Here is the finished piece. Can you see how many shades of blue are now in the piece, one drawing, one indigo vat and about 4 shades of indigo in the finished piece.

I had a little clay resist left over, so I decided to try another experiment.  What if I spread some clay resist on a foam stamp.  Would it print?  Yes it did.  So now I have a lead into my next post of resist dyeing with indigo

It's funny, when you get started on a new path, every couple of hours a new idea pops into our head.  I decided to take the very commercial looking stamping and do a little free hand clay resist painting and see what would happen.  This photo shows how just a little handwork can make a design much more organic looking.  I think I will continue to see how far I can take this piece.